Category: News

Esther Erlich in the 2022 Portia Geach Award

Ester Erlich, Atong, portrait painting of the Sudanese-born photographic artist Atong Atem

Congratulations to Esther Erlich for being selected yet again for the Portia Geach Memorial Award, with her painting Atong. The prize is one of Australia’s most recognised, rewarding women artists working in portraiture. Erlich’s portrait of Sudanese-born photographic artist Atong Atem was mentioned by John McDonald in his review of the prize, calling it the “most flamboyant work in the show…With some portraits the distance between artist and sitter is palpable, but in this instance one can feel how warmly Erlich responded to her subject.” Read the full article here.

The exhibition of finalists is currently on show at S.H. Ervin Gallery until 06 Nov 2022.

For more information on Erlich’s available works, please email admin@foxgalleries.com.au. or head to our stockroom page here.

Robert Andrew featuring at rīvus, the 23rd Biennale of Sydney (2022)

 

 

Robert Andrew, ‘Connective Reveal – nagula’, 2020, ‘Connective Reveal’ series, ochre, oxides, white chalk, water, and electro-mechanical devices, 600 cm x 280 cm x 60 cm. Installation view for ‘Yokohama Triennale’, Yokohama Museum of Art, 2020. Supported by Australia Council. Courtesy of the artist and Milani Gallery, Brisbane. Photographer: Kieta.

 

Congratulations to artist Robert Andrew on his participation within rīvus, the 23rd Biennale of Sydney (2022). With perhaps more relevancy than ever, this year’s Biennale facilitates a discussion between artists, designers, architects, scientists, and other practices that consider the country’s rivers, wetlands, and water-based ecosystems, exposing their complicated relationship with a social, cultural, environmental, and political agenda.

As a descendant of the Yawura people, Andrew contributes to the discussions at rīvus by sharing stories of the tidal flats of Broome, in the Kimberley Region of Western Australia. On show is his artwork Connective Reveal – nagula (2021), which forms part of the artist’s ongoing series A Connective Reveal. The artwork has been commissioned by the Biennale of Sydney, with support from the Australia Council for the Arts, and is courtesy of the artist and Milani Gallery, Brisbane.

Andrew’s Connective Reveal series introduces the concept of a ‘palimpsest machine’; a programmed machine that writes repeatedly over a surface, ultimately erasing the integral form of the written word and leaving behind surface markings in ochres and chalk. By doing so, Andrew gestures to the buried histories and languages of Aboriginal and Torres Strait Islander people as a consequence of colonisation.

The palimpsest machine in nagula slowly works to reveal the title of the artwork (nagula) in large ochre-coloured writing, suggestive of the “long time salt water” tidal-flats from Andrew’s memories. Andrew acknowledges the power and ancient knowledge of water which has continued to form and shape the land of the Yawura people for thousands of years.

Robert Andrew selected as finalist in the 2022 Gold Award

 

Robert Andrew ‘Residues: buru, nagala, ngan-ga II’, 2021, ochres, oxides and chalk on aluminium composite board. Installation view, The Gold Award 2022
Photographer: Tom Degotardi (FMSTUDIOS) Courtesy of Rockhampton Museum of Art

 

Congratulations to Robert Andrews who has been selected as a finalist in the Gold Award for 2022, presented by The Rockhampton Museum of Art. The invitational award showcases contemporary talent in Australian art with the most outstanding work or works by the winning artist to be acquired.

The fifth iteration of the biennial painting exhibition, The Gold Award 2022 presents a diverse pool of boundary breaking and thought provoking contemporary Australian art by artists from across the nation. The award is a touchstone of contemporary painting, held every two years where artists are invited to present their practice with new works that have not been exhibited elsewhere before.

Born in Perth in 1965, Robert Andrew is a descendant of the Yawuru people, his Country is the lands and waters of the Broome area in the Kimberley Region, Western Australia.

Andrew’s work speaks to the past yet articulates a contemporary relationship to his Country. His work often combines programmable machinery with earth pigments, ochres, rocks and soil to mine historical, cultural and personal events that have been buried and distanced by the dominant paradigms of western culture. There is a continual state of motion conveyed in this work that reflects a circularity in relationships between past and present. The work combines footage sourced from Andrew’s kinetic installations and communicates his evolving relationship to Country as he continues to uncover his familial history.

Robert Andrew is also participating in the 23rd Biennale of Sydney at the Museum of Contemporary Art, commencing 12 March. His work has been presented in major exhibitions in Australia and internationally including: Yokohama Triennale, Japan, 2020; Australian Centre for Contemporary Art, Melbourne, 2020; The National: New Australian Art, Art Gallery of New South Wales, 2019; Colony: Frontier Wars, National Gallery of Victoria, 2018; and Ars Electronica, Austria, 2017.

Jane Giblin selected as finalist in The 67th Blake Prize 2022

Congratulations to Tasmanian artist Jane Giblin for placing as a finalist in The 67th Blake Prize 2022 with her painting ‘I am the lamb of all Gods’ (2021).

Artist Statement: “During a past art research project, I drove around Flinders Island and wherever I went I was met with masses of roadkill. Along with the bloated obstructions on bitumen, the roadsides carry a snowdrift of millions of tiny bone relics. At this very time, that 2018/19 summer, the southeast of Australia was on fire and images of burnt, dead or dying creatures filled my news feed. I was carrying images of smouldering birdlife, kangaroos, koalas, cattle, whole roasted steers, all of them in my periphery, every day. Sheep stood in simple shock, dazed in their black burnt wool. De-sensitised, yet fascinated, I placed one of these sheep into my chest and it became part of a self-portrait. I, in turn, adopted its body. In this way I became like a sacrificial lamb, to all the gods we invent to cope with our mortality and our flawed humanity. Can we forgive ourselves if a lamb was sacrificed on our behalf? The way we inhabit our landscape leaves me confused, acquiescent as well as in shock. I sought to represent this sense of confusion as I struggle to comprehend the human creature and if any system of belief is ever justifiable.”

Giblin graduated from the Tasmanian School of Art, in 1984 and eventually she completed two Masters degrees, one in painting and one in lithography. The University of Tasmania has offered Jane PhD candidacy in the School of Creative Arts, commencing in 2022.

For more information on Giblin’s available works, please email admin@foxgalleries.com.au.

Esther Erlich, semi-finalist in the 2021 Doug Moran National Portrait Prize

Esther Erlich, semi-finalist in the 2021 Doug Moran National Portrait Prize

Esther Erlich, Alma, 2019, Acrylic on canvas, 183 x 76 cm

Esther Erlich has been announced as a semi-finalist in the 2021 Doug Moran National Portrait Prize with her painting ‘Alma’. Erlich is best known for her provocative portraits that enhance intimacy through fashion aesthetics and iconography of various subcultures, and previously won the Prize with her painting of Steve Moneghetti, ‘Gaunt and Glorious’. We extend our congratulations to Esther!

For more information about Erlich’s available works, please email admin@foxgalleries.com.au

Esther Erlich, Alma, 2019, Acrylic on canvas, 183 x 76 cm

 

Nine questions with Nigel Sense

Nigel Sense’s upcoming exhibition ‘Departure Lounge’ has been delayed to 18 September to 30 October, in light of Melbourne’s lockdown restrictions. So put down your luggage and pick up our equivalent of some in-flight entertainment as we spent some time getting to know Nigel Sense and hear his thoughts on art, travel and starring in a Bollywood film.

What is your artistic outlook on life?

My artistic outlook on life is a Anthony Bourdain quote “Your body is not a temple, it’s an amusement park, enjoy the ride”. That doesn’t mean I want to get loaded all the time, it just means I just want to live a life that’s fun and happy.

What music have you been listening to lately? 

The music changes depending on the time of day. No one wants to wake up straight away and start listening to Lou Reed. But I have had a lot of Lou Reed, Johnny Thunders, Mark Lanegan on – mmm my music choice is fucking depressing, maybe I need The Smiths on to make it even more dark! The last few days I’ve been listening to Prince so that’s a change for the better.

What was your process in creating ‘Departure Lounge’ and how do you approach painting generally? 

I like the saying – “Painting is the easy part, it’s what to do when you’re not painting that’s difficult.” The painting process comes second nature to me, it’s like breathing or eating, I just do it. I love being in the Studio. I feel connected to life and feel free. With ‘Departure Lounge’ I had more time to just look and slow it all down a bit. If I wanted to spend the whole day in the studio just looking at the painting I would.

Why is travel important to you?

Travel means everything to me – seeing how other cultures live is amazing. It makes me a better human and apart from art it’s one thing I’m really good at. The person I am today is because of travel. It is a way of life, you either get it or you don’t.

What’s your best travel story?

Wow, that’s a tough one, so many great stories – but I will tell this one: My girlfriend, now my wife, and I were walking around Colaba, Mumbai and we got stopped by a talent scout and asked if we wanted to be in a Bollywood movie. That morning we had promised each other we would say yes to more things as we travel so we said ‘OK, sure!’.

We were in the Bollywood movie called Blue with Kylie Minogue as back up dancers. It was wild. I even got to chat to Kylie Minogue for a minute or two and yes, we can been seen in the movie dancing. I love seeing how the movie was made, all the sets were made out of plywood or cardboard so you couldn’t lean on anything. My wife was also in rap video in Sri Lankan too.

How have the periods of lockdown and travel restrictions affected your practice? 

It’s been shit really. We have been living a nomadic life for the last few years, and we had sold everything we owned, so coming back to Australia last year because of Covid was hard. At times depressing and brutal, but it was my art practice and my wife that saved me. My paintings have gotten brighter and happier as I’ve tried to lose myself in my practice.

I thought my paintings during Covid would be very dark, but I’m glad they’re not. There is enough bad shit out there at the moment so isn’t it nice to be surrounded by happiness and positivity for a change.

Where’s the first place you’d visit once restrictions are lifted? 

Anywhere that will have me. I don’t give a shit! But I would love to move to Oaxaca, Mexico in the next few years. It’s an amazing place to be an artist and I love Mexico.

What’s the best piece of advice you’ve ever been given?

I have been given a few good pieces of advice and some really shit ones too. There’s one piece of advice that changed everything for me: First trip to Thailand in my 20’s and I had just finished a day tour and the local guide invited us over to his family home for tea. It was really a modest place to say the least, a kind of a tin shed, and I was thinking ‘wow this is tough going’. As we left I gave him a tip. He said he didn’t need the money. He could see I was confused and asked me how many days a week do I work. He told me he only works two days a week and hangs out with his family and friends the rest of the time, which made him have a happy life. I was working a lot, 70 hours a week kind of thing. It was the first time I realised that money doesn’t equal happiness. I come home, sold a lot of shit. It truly changed how I still live my life now.

And what piece of advice would you give?

Don’t take advice from people like me! I don’t know, just live a good life, don’t sweat the little stuff and remember life is about chasing joy.

 

Nigel Sense’s ‘Departure Lounge’ will run from September 18 to October 30 at Fox Galleries.